Welcome to a world of philosopher gangsters, gun slinging drug runners and conniving femme fatales, a world that could only have been created by the pen of Cormac McCarthy (No Country For Old Men) Warning: misogynistic themes throughout.
The Counsellor, McCarthy’s first purpose built screenplay, unfortunately falls slightly flat despite its A-list cast. Given the calibre of the on-screen talent he secured, with the likes of Michael Fassbender, Cameron Diaz, Javier Bardem, Brad Pitt and Penelope Cruz gracing the screen, it is unsurprising that The Cousellor is singularly well acted. Fassbender is particularly effective as the eponymous Counsellor, who inexplicably involves himself in a drug deal that subsequently goes very badly wrong for everyone involved. However given the attention paid to presentation, the plot seems a little … unfinished.
The motivation for the Counsellor’s involvement in this shady underworld is never adequately explained, while he appears to know some dodgy people fairly well, the explanation of “greed” that is rather weakly pushed forward once the shit has well and truly hit the fan doesn’t really do much to satisfy. Given this fairly large plot hole it is difficult to feel any real connection to the man who story drags us into this world of murder and betrayal.
With Ridley Scott behind the camera The Counsellor does capture the beauty and the violence of the world we inhabit for 2 hours. A particularly brilliant scene sees a cheetah running down a hare in the New Mexico desert, the barren yellow landscape almost doubling for the savannah. Scott deals with the violence of McCarthy script very well with much implied and left to the imagination; the shoot-outs are kept to a minimum giving them much more impact.
Predictably McCarthy’s talent for writing misogynistic gangsters is used almost to the point of stupidity. There are more monologues about sex and “women”, said in the most despairing way, than there is actual plot. The only effect is to give the film a jarring rhythm that lurches from philosophical monologue to misogynistic monologue and back again.
Despite the A-list cast and director, and what should have been an A-list screenwriter, The Counsellor while not lacking in emotion, loses any connection with the audience through its superficial treatment of the plot and grating monologues.
In UK cinemas now.