Article: What makes a good adaptation?

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So I’ve written my first article for the incomparable Little White Lies, I talked to David Nicholls about his adaptation of Far From The Madding Crowd for Thomas Vinterberg and what makes a good adaptation.

Take a look over at the Little White Lies site.

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A Lack of {Jackanory} Reviews

An eagle eyed visitor to my site may notice there has been a sorry lack of activity here in the last six months … that ladies and gentlemen, is due to a lovely experience we like to call “Third Year of Uni”.

I have been lucky enough to be covering a wide range of TV shows for the wonderful Canadian online journal Next Projection (seriously go check them out), but when it comes to my own personal film reviews I have been too swamped with work to give my full attention. That ends here … Welcome back to Jackanory Reviews where there will actually be reviews from now on (promise).

Film Review: The Voices (2014)

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Welcome to the wonderfully kitsch world of Jerry (Ryan Reynolds). Working in baby pink overalls, packaging bathtubs in a friendly factory with a host of likably kooky colleagues Jerry’s world resembles a slightly grotty Wes Anderson creation. The quiet town of Milton swims in 50s Americana hues as we follow Jerry on his daily life, to his court appointed psychiatrists meetings, dates with the “accounting chicks” and home to his abrasive cat Mr Whiskers and his doleful buddy Bosco the dog. The magic realism that arrives with the voices of Mr Whiskers and Bosco seems strangely unproblematic in the nostalgic and slightly ethereal setting of Milton.

As the extent of Jerry’s own mental health issues and troubled past comes to light, the kooky talking animals take on a more sinister tone as we begin to understand the full extent of his psychosis. Ignoring the pleas of Dr Warren, played by the brilliantly concerned Jacki Weaver, Jerry continues to skip his medication, choosing to live in the airbrushed world he has created for himself.

The Voices cleverly plays with the audiences expectations, presented with the nostalgic all-American setting we choose to accept and live the fiction along with Jerry, accepting the conceit as it is presented to us. It is only once Jerry, consumed by his guilt about ‘inadvertent’ murder of Fiona (Gemma Arterton), starts taking his medication that the veneer drops and the audience is allowed to see the truth behind the unmediated glow of Jerry’s life. Gone are the soft pastels and mid-century furniture, replaced with overflowing bin bags, animal faeces and Tupperware filled with human remains.

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Faced with the revelation that we have been living in the delusion of our unreliable protagonist, The Voices does well to tread the difficult line of dark comedy. Reynolds’ brilliantly naïve portrayal of a man ruled by his angel dog and devil cat is pitched perfectly. He is able to maintain Jerry’s affable innocence, even while he chats to the growing collection of heads in his fridge. The violence with which Jerry dismembers his victims is almost comical in and of itself, while the liberal application of gore retains the power to wrinkle the most desensitised of noses.

With a stellar supporting cast The Voices had the potential to over play its hand. With the likes of Anna Kendrick (Lisa), Gemma Arterton (Fiona) and Jacki Weaver (Dr Warren) there is always the potential to overuse famous faces, but the generous scattering of stars is used wisely. While Reynolds steals the show with his faultlessly innocent performance, Arterton completely hits the mark with her mixture of aloof flirtation and vaguely inappropriate post mortem perkiness.

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The Voices has a lot to owe to Sightseers (2012), Ben Wheatley’s thoroughly underrated tale of a murderous caravan trip across Britain. Where similarly offbeat characters murder their way through the plot, with a distinctive lack of empathy fuelling the dark murderous comedy. Here, Michael Perry’s script capitalises on Jerry’s a childlike understanding of his own actions combined with a complete lack of sympathy for his victims – creating a character who is both compelling to watch and impossible to save.

Under Marjane Satrapi’s direction, and through the use of comic book framing, The Voices effortlessly combines the comically hyperbolic and the dark reality of mental illness in a twisted mixture that will leave you both disgusted and thoroughly entertained.

UK release date: 20th March 2015